Sounding objects L to R:  Line of History, Throat and Ear ,  Stain Traveling Backwards , 2018, bronze, painted steel

Sounding objects L to R: Line of History, Throat and Ear, Stain Traveling Backwards, 2018, bronze, painted steel

  Line of History  (detail), 2018, bronze, painted steel, 23 × 19 × 9.5 inches

Line of History (detail), 2018, bronze, painted steel, 23 × 19 × 9.5 inches

  The Bender Room , performance detail with sounding objects, bronze, steel, plywood, drumsticks, spoons, miscellaneous tools, size variable

The Bender Room, performance detail with sounding objects, bronze, steel, plywood, drumsticks, spoons, miscellaneous tools, size variable

  The Bender Room , detail from performance featuring Coconut with Rebeca Bollinger

The Bender Room, detail from performance featuring Coconut with Rebeca Bollinger

  Musical Score with Notes and Flowers , 2019, color laser print, 14 x 10.5 inches

Musical Score with Notes and Flowers, 2019, color laser print, 14 x 10.5 inches

  Parallel H(ear) , 2024, a collaboration with musicians and composers Patricio Coronado and Gus Tomizuka. Detail from a two-hour durational installation with sound, photo credit: Scott Aronian

Parallel H(ear), 2024, a collaboration with musicians and composers Patricio Coronado and Gus Tomizuka. Detail from a two-hour durational installation with sound, photo credit: Scott Aronian

  Parallel H(ear) , 2024

Parallel H(ear), 2024

  Parallel H(ear) , detail from installation, aluminum, mirror, and bronze sounding objects sited within a quadrophonic soundscape composed by Gus Tomizuka

Parallel H(ear), detail from installation, aluminum, mirror, and bronze sounding objects sited within a quadrophonic soundscape composed by Gus Tomizuka

  Parallel H(ear)

Parallel H(ear)

  Parallel H(ear) , detail from installation, sounding object, 2024, bronze, wire, aluminum, 44 × 28 × 28 inches

Parallel H(ear), detail from installation, sounding object, 2024, bronze, wire, aluminum, 44 × 28 × 28 inches

  Parallel H(ear) , detail, sounding object, bronze, 8 × 6.5 inches

Parallel H(ear), detail, sounding object, bronze, 8 × 6.5 inches

  Parallel H(ear)

Parallel H(ear)

  “Chorale for four samples of a dry wash”, 2025, booklet by Gus Tomizuka with an audio file link  to the 5-hour asynchronous sound composition debuted in quadrophonic as part of the installation  Parallel H(ear)

“Chorale for four samples of a dry wash”, 2025, booklet by Gus Tomizuka with an audio file link to the 5-hour asynchronous sound composition debuted in quadrophonic as part of the installation Parallel H(ear)

 “Chorale for four samples of a dry wash”, 2025, booklet by Gus Tomizuka, detail of spread featuring bronze sculptures in  Parallel H(ear)

“Chorale for four samples of a dry wash”, 2025, booklet by Gus Tomizuka, detail of spread featuring bronze sculptures in Parallel H(ear)

 Sounding objects L to R:  Line of History, Throat and Ear ,  Stain Traveling Backwards , 2018, bronze, painted steel
  Line of History  (detail), 2018, bronze, painted steel, 23 × 19 × 9.5 inches
  The Bender Room , performance detail with sounding objects, bronze, steel, plywood, drumsticks, spoons, miscellaneous tools, size variable
  The Bender Room , detail from performance featuring Coconut with Rebeca Bollinger
  Musical Score with Notes and Flowers , 2019, color laser print, 14 x 10.5 inches
  Parallel H(ear) , 2024, a collaboration with musicians and composers Patricio Coronado and Gus Tomizuka. Detail from a two-hour durational installation with sound, photo credit: Scott Aronian
  Parallel H(ear) , 2024
  Parallel H(ear) , detail from installation, aluminum, mirror, and bronze sounding objects sited within a quadrophonic soundscape composed by Gus Tomizuka
  Parallel H(ear)
  Parallel H(ear) , detail from installation, sounding object, 2024, bronze, wire, aluminum, 44 × 28 × 28 inches
  Parallel H(ear) , detail, sounding object, bronze, 8 × 6.5 inches
  Parallel H(ear)
  “Chorale for four samples of a dry wash”, 2025, booklet by Gus Tomizuka with an audio file link  to the 5-hour asynchronous sound composition debuted in quadrophonic as part of the installation  Parallel H(ear)
 “Chorale for four samples of a dry wash”, 2025, booklet by Gus Tomizuka, detail of spread featuring bronze sculptures in  Parallel H(ear)

Sounding objects L to R: Line of History, Throat and Ear, Stain Traveling Backwards, 2018, bronze, painted steel

Line of History (detail), 2018, bronze, painted steel, 23 × 19 × 9.5 inches

The Bender Room, performance detail with sounding objects, bronze, steel, plywood, drumsticks, spoons, miscellaneous tools, size variable

The Bender Room, detail from performance featuring Coconut with Rebeca Bollinger

Musical Score with Notes and Flowers, 2019, color laser print, 14 x 10.5 inches

Parallel H(ear), 2024, a collaboration with musicians and composers Patricio Coronado and Gus Tomizuka. Detail from a two-hour durational installation with sound, photo credit: Scott Aronian

Parallel H(ear), 2024

Parallel H(ear), detail from installation, aluminum, mirror, and bronze sounding objects sited within a quadrophonic soundscape composed by Gus Tomizuka

Parallel H(ear)

Parallel H(ear), detail from installation, sounding object, 2024, bronze, wire, aluminum, 44 × 28 × 28 inches

Parallel H(ear), detail, sounding object, bronze, 8 × 6.5 inches

Parallel H(ear)

“Chorale for four samples of a dry wash”, 2025, booklet by Gus Tomizuka with an audio file link to the 5-hour asynchronous sound composition debuted in quadrophonic as part of the installation Parallel H(ear)

“Chorale for four samples of a dry wash”, 2025, booklet by Gus Tomizuka, detail of spread featuring bronze sculptures in Parallel H(ear)

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