Into The Matter  exhibition, 2018, Mills College Art Museum (installation view)

Into The Matter exhibition, 2018, Mills College Art Museum (installation view)

  Into The Matter  exhibition, 2018

Into The Matter exhibition, 2018

  Into The Matter , Installation view, 2018, Photo credit: Phil Bond Photography

Into The Matter, Installation view, 2018, Photo credit: Phil Bond Photography

  Still Life , 2018, archival pigment print on paper, 80 x 60”

Still Life, 2018, archival pigment print on paper, 80 x 60”

  Into The Matter , Installation view, 2018, Photo credit: Phil Bond Photography

Into The Matter, Installation view, 2018, Photo credit: Phil Bond Photography

  Incident , 2018, archival pigment print on paper, wood, latex paint, 63 x 49 x 3 1/2”

Incident, 2018, archival pigment print on paper, wood, latex paint, 63 x 49 x 3 1/2”

  Unknown and Void on Wheels , 2018, ceramic, poured aluminum, carpeted movers dolly, MDF, bougainvillea, 44 x 36 x 26” Photo credit: Phil Bond Photography

Unknown and Void on Wheels, 2018, ceramic, poured aluminum, carpeted movers dolly, MDF, bougainvillea, 44 x 36 x 26”
Photo credit: Phil Bond Photography

  Unknown and Void on Wheels  (detail), 2018, ceramic, poured aluminum Photo credit: Phil Bond Photography

Unknown and Void on Wheels (detail), 2018, ceramic, poured aluminum
Photo credit: Phil Bond Photography

  The Upward Form , 2018, rectangle and slit cut in wall, poured aluminum, size variable

The Upward Form, 2018, rectangle and slit cut in wall, poured aluminum, size variable

  Landscape , 2018, ceramic, poured aluminum, 11 x 30 x 13"

Landscape, 2018, ceramic, poured aluminum, 11 x 30 x 13"

  Into The Matter , Installation view, 2018

Into The Matter, Installation view, 2018

  Flutter , 2018, line cut in drywall, size variable

Flutter, 2018, line cut in drywall, size variable

  Spill , 2018, archival pigment print on paper, 44 x 58"

Spill, 2018, archival pigment print on paper, 44 x 58"

  Into The Matter  exhibition, 2018, Mills College Art Museum (installation view)
  Into The Matter  exhibition, 2018
  Into The Matter , Installation view, 2018, Photo credit: Phil Bond Photography
  Still Life , 2018, archival pigment print on paper, 80 x 60”
  Into The Matter , Installation view, 2018, Photo credit: Phil Bond Photography
  Incident , 2018, archival pigment print on paper, wood, latex paint, 63 x 49 x 3 1/2”
  Unknown and Void on Wheels , 2018, ceramic, poured aluminum, carpeted movers dolly, MDF, bougainvillea, 44 x 36 x 26” Photo credit: Phil Bond Photography
  Unknown and Void on Wheels  (detail), 2018, ceramic, poured aluminum Photo credit: Phil Bond Photography
  The Upward Form , 2018, rectangle and slit cut in wall, poured aluminum, size variable
  Landscape , 2018, ceramic, poured aluminum, 11 x 30 x 13"
  Into The Matter , Installation view, 2018
  Flutter , 2018, line cut in drywall, size variable
  Spill , 2018, archival pigment print on paper, 44 x 58"

Into The Matter exhibition, 2018, Mills College Art Museum (installation view)

Into The Matter exhibition, 2018

Into The Matter, Installation view, 2018, Photo credit: Phil Bond Photography

Still Life, 2018, archival pigment print on paper, 80 x 60”

Into The Matter, Installation view, 2018, Photo credit: Phil Bond Photography

Incident, 2018, archival pigment print on paper, wood, latex paint, 63 x 49 x 3 1/2”

Unknown and Void on Wheels, 2018, ceramic, poured aluminum, carpeted movers dolly, MDF, bougainvillea, 44 x 36 x 26”
Photo credit: Phil Bond Photography

Unknown and Void on Wheels (detail), 2018, ceramic, poured aluminum
Photo credit: Phil Bond Photography

The Upward Form, 2018, rectangle and slit cut in wall, poured aluminum, size variable

Landscape, 2018, ceramic, poured aluminum, 11 x 30 x 13"

Into The Matter, Installation view, 2018

Flutter, 2018, line cut in drywall, size variable

Spill, 2018, archival pigment print on paper, 44 x 58"

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