Incident , 2018, archival pigment print on paper, wood, latex paint, 63 x 49 x 3.5 inches

Incident, 2018, archival pigment print on paper, wood, latex paint, 63 x 49 x 3.5 inches

  Into The Matter , exhibition view, 2018

Into The Matter, exhibition view, 2018

  Landscape , 2018, ceramic, poured aluminum, 11 x 30 x 13 inches

Landscape, 2018, ceramic, poured aluminum, 11 x 30 x 13 inches

  Flutter , 2018, line cut in drywall, 21 x 0.875 x 0.5 inches

Flutter, 2018, line cut in drywall, 21 x 0.875 x 0.5 inches

  Still Life , 2018, archival pigment print on paper, 80 x 60 inches

Still Life, 2018, archival pigment print on paper, 80 x 60 inches

  Into The Matter , exhibition view, 2018, L-R:  Incident,   Unknown and Void on Wheels, Still Life

Into The Matter, exhibition view, 2018, L-R: Incident, Unknown and Void on Wheels, Still Life

  Into The Matter , exhibition view, 2018, Photo credit: Phil Bond Photography

Into The Matter, exhibition view, 2018, Photo credit: Phil Bond Photography

  Into The Matter , exhibition view, 2018

Into The Matter, exhibition view, 2018

  Into The Matter , exhibition view, 2018

Into The Matter, exhibition view, 2018

  Unknown and Void on Wheels , 2018, ceramic, poured aluminum, carpeted movers dolly, MDF, bougainvillea, 44 x 36 x 26 inches  Photo credit: Phil Bond Photography

Unknown and Void on Wheels, 2018, ceramic, poured aluminum, carpeted movers dolly, MDF, bougainvillea, 44 x 36 x 26 inches Photo credit: Phil Bond Photography

  Unknown and Void on Wheels  (detail), 2018, ceramic, poured aluminum, Photo credit: Phil Bond Photography

Unknown and Void on Wheels (detail), 2018, ceramic, poured aluminum, Photo credit: Phil Bond Photography

  The Upward Form , 2018, rectangle and slit cut in wall, poured aluminum, size variable

The Upward Form, 2018, rectangle and slit cut in wall, poured aluminum, size variable

  Into The Matter , exhibition view, 2018, Photo credit: Phil Bond Photography

Into The Matter, exhibition view, 2018, Photo credit: Phil Bond Photography

  Into The Matter , exhibition view, 2018

Into The Matter, exhibition view, 2018

  Phasing With Shadows, X’s And Wedge , 2018, joined museum walls with slices and holes, MDF, latex paint, lumber, OSB sheathing, 10 x 15.5 x 19 feet

Phasing With Shadows, X’s And Wedge, 2018, joined museum walls with slices and holes, MDF, latex paint, lumber, OSB sheathing, 10 x 15.5 x 19 feet

  Spill , 2018, archival pigment print on paper, 44 x 58 inches

Spill, 2018, archival pigment print on paper, 44 x 58 inches

  Into The Matter , exhibition view from lift, 2018, Mills College Art Museum

Into The Matter, exhibition view from lift, 2018, Mills College Art Museum

  Incident , 2018, archival pigment print on paper, wood, latex paint, 63 x 49 x 3.5 inches
  Into The Matter , exhibition view, 2018
  Landscape , 2018, ceramic, poured aluminum, 11 x 30 x 13 inches
  Flutter , 2018, line cut in drywall, 21 x 0.875 x 0.5 inches
  Still Life , 2018, archival pigment print on paper, 80 x 60 inches
  Into The Matter , exhibition view, 2018, L-R:  Incident,   Unknown and Void on Wheels, Still Life
  Into The Matter , exhibition view, 2018, Photo credit: Phil Bond Photography
  Into The Matter , exhibition view, 2018
  Into The Matter , exhibition view, 2018
  Unknown and Void on Wheels , 2018, ceramic, poured aluminum, carpeted movers dolly, MDF, bougainvillea, 44 x 36 x 26 inches  Photo credit: Phil Bond Photography
  Unknown and Void on Wheels  (detail), 2018, ceramic, poured aluminum, Photo credit: Phil Bond Photography
  The Upward Form , 2018, rectangle and slit cut in wall, poured aluminum, size variable
  Into The Matter , exhibition view, 2018, Photo credit: Phil Bond Photography
  Into The Matter , exhibition view, 2018
  Phasing With Shadows, X’s And Wedge , 2018, joined museum walls with slices and holes, MDF, latex paint, lumber, OSB sheathing, 10 x 15.5 x 19 feet
  Spill , 2018, archival pigment print on paper, 44 x 58 inches
  Into The Matter , exhibition view from lift, 2018, Mills College Art Museum

Incident, 2018, archival pigment print on paper, wood, latex paint, 63 x 49 x 3.5 inches

Into The Matter, exhibition view, 2018

Landscape, 2018, ceramic, poured aluminum, 11 x 30 x 13 inches

Flutter, 2018, line cut in drywall, 21 x 0.875 x 0.5 inches

Still Life, 2018, archival pigment print on paper, 80 x 60 inches

Into The Matter, exhibition view, 2018, L-R: Incident, Unknown and Void on Wheels, Still Life

Into The Matter, exhibition view, 2018, Photo credit: Phil Bond Photography

Into The Matter, exhibition view, 2018

Into The Matter, exhibition view, 2018

Unknown and Void on Wheels, 2018, ceramic, poured aluminum, carpeted movers dolly, MDF, bougainvillea, 44 x 36 x 26 inches Photo credit: Phil Bond Photography

Unknown and Void on Wheels (detail), 2018, ceramic, poured aluminum, Photo credit: Phil Bond Photography

The Upward Form, 2018, rectangle and slit cut in wall, poured aluminum, size variable

Into The Matter, exhibition view, 2018, Photo credit: Phil Bond Photography

Into The Matter, exhibition view, 2018

Phasing With Shadows, X’s And Wedge, 2018, joined museum walls with slices and holes, MDF, latex paint, lumber, OSB sheathing, 10 x 15.5 x 19 feet

Spill, 2018, archival pigment print on paper, 44 x 58 inches

Into The Matter, exhibition view from lift, 2018, Mills College Art Museum

show thumbnails