The Mystery Of The Mystery, exhibition view, 2024
Ceramic percussion instruments
Vases and Hallucinations, installation view, Right Window, 2015
Effluvia, 2015, color laser print, 11 x 8.5 inches
Potato, 2015, ceramic, glass prism, potato, 4.5 x 9 x 7.5 inches
Drawing, 2015, archival pigment print on paper, 18 x 14 inches
Vases and Hallucinations, 2015, glazed and unglazed ceramic, porcelain, LED lights, black yarn, crystal ball, glass prism, flashe on digital chromogenic print, cinefoil, painted steel, latex and metallic spray paint on acrylic, cast glass, laser print on plaster, wood stick with primer and metallic spray paint, 30 sec movie loop on iPhone, size variable
Studio detail, touch-activated instruments made from cast aluminum and bronze, 2019
The Bender Room, performance detail, Stains for Cello and Piano, score by Kris Force.
The Bender Room, performance detail, Stains for Cello and Piano featuring Kris Force with Brendan Glasson, Sally Decker, Tony Gennaro, and Roco Córdova
The Bender Room, performance
The Bender Room, an evening of new musical works by Kris Force, Brendan Glasson, and Coconut, featuring handmade instruments and video projection by Rebeca Bollinger, performed in the Mills College Bender Room—formerly part of the Margaret Carnegie Library designed by architect Julia Morgan.
The Bender Room, an evening of new musical works by Kris Force, Brendan Glasson, and Coconut, featuring handmade instruments and video projection by Rebeca Bollinger, performed in the Mills College Bender Room—formerly part of the Margaret Carnegie Library designed by architect Julia Morgan.
The Bender Room, performance
After, 2019, acrylic on artist frame and cork board, poured aluminum, 39.5 x 27.5 x 2 inches
DMDH, 2020
Exploding Fire Hydrant, 2007, archival pigment print on paper, 33 x 24 inches
Everything is Everything, 2010, 30-minute projected digital movie loop, glazed and unglazed ceramic, spray paint, acrylic, archival pigment print on paper, plywood, mirrored plexiglas, latex, 122 x 241 x 192 inches
Passing, 2006, archival pigment print on paper, 24 x 22 inches
Untitled, 2007, archival pigment print on paper, 24 x 34 inches
The End and the Beginning, 2006, chromogenic print, 33 1/2 x 46 7/8 inches
Still Life, 2019, archival pigment print on paper, 44 x 58 inches, ed. of 6
Still Life, 2019, archival pigment print on paper, 58 x 44 inches, ed. of 6
Still Life, 2019, archival pigment print on paper, 58 x 44 inches, ed. of 6
Still Life, 2019, archival pigment print on paper, 58 x 44 inches, ed. of 6
Flocky, 2014, glazed ceramic, flocking, porcelain, resin, acrylic circle, 6 x 19 x 19 inches
Monument, 2014, porcelain, glazed ceramic, 14 x 13 x 9 inches
Echo exhibition, (installation detail), Walter Maciel Gallery, 2014
Lemon Tree Thud, 2014, acrylic imprinted on porcelain, glazed ceramic, flashe paint, hydrocal, flocking, 2.5 x 19 x 24 inches
A place where you buy things for sculpture that has glass eyes, 2014, glazed porcelain and glass eyes, .75 x 11 x 5.25 inches
Echo, installation detail, Walter Maciel Gallery, 2014
Background, 2010, glazed ceramic, 7.5 x 10.5 x 6 inches
Everything is Everything, exhibition view, 2010
Studio, 2010
Roundabout Before Through Behind, matter to matter pieces to pieces things to things moving and still, studio view, 2010
Everything is Everything, installation view, 2010, 30-minute projected digital movie loop, glazed and unglazed ceramic, spray paint, acrylic, archival pigment print on paper, plywood, mirrored plexiglas, latex, 122 x 241 x 192 inches
Everything is Everything, exhibition view, 2010
Blue, 2010, glazed ceramic, acrylic paint, archival pigment print on paper, 8.5 x 16 x 9.5 inches
Cloud, 2010, glazed ceramic, wood, 26.5 x 36 x 36 inches
The Burrow, installation view, 2019. Photo credit: Graham Holoch.
Large Stain, 2019, poured aluminum 49 x 21.5 x 1.5 inches
Libretto, 2019, acrylic on artist frame and cork board, poured aluminum, pearl head pins, 39.5 x 27.5 x 1.25 inches
Roundabout Before Through Behind, exhibition view, 2006, 5-minute animation loop with sound, wood box, mirror mylar, speakers, 16 x 20 x 21 inches
Romantic Sunsets, (detail), 1999, colored pencil on vellum, label, tape, 8 x 12 inches
My Van, (detail), 2000, colored pencil on vellum, 12 x 9 inches
romantic sunsets, 1999, colored pencil on vellum, label, tape, 38 x 25 inches
Important Documents (detail), 2000, colored pencil on vellum, 4.5 x 6 inches
Ed Glaze (detail), 2000, colored pencil on vellum, 6 x 8 inches
tv, 1999, colored pencil on vellum, label, 12 x 9 inches
looking south, (detail), 1999, colored pencil on vellum, 6 x 8 inches
untitled, (detail), 1999, colored pencil on vellum, 5.5 x 7 inches
gone (detail), 1999, colored pencil on vellum, 8 x 11 inches
A Question of Sight, installation detail, 2014, gold sign paint, flat LED bulb, light socket with cord, hook, reflected light, 94 x 61 x 7 inches
A Question of Sight, installation detail
This And That, 2011, acrylic on digital chromogenic print, 4 x 6 inches
Into The Matter, exhibition view, 2018, altered moveable museum walls. Photo credit: Phil Bond Photography
Into The Matter, installation view through altered moveable museum wall, 2018
Into The Matter, installation view, 2018
Incident, 2018, archival pigment print on paper, wood, latex paint, 63 x 49 x 3.5 inches
Untitled, 1997
Untitled (cookies), installation view, 1997, food coloring, ink, cookies, cardboard sheets and boxes, shrink wrap, push pins, clamp lights, aluminum stands, extension cords, color laser prints, size variable
Fake Cake With Fingers and a V, 1995, styrofoam, sugar icing, black food coloring, 12 × 12 × 3 inches
Untitled (cookies), 1997, excerpt from 4-minute movie loop
A Question of Sight, installation detail, 2014, LED strobe projection, glazed ceramic, glass prism, MDF, latex paint, 98 x 80 x 116 inches
A Question of Sight, chromogenic print, 17.5 x 12 inches
The Next Thing Happens, 2011, glazed ceramic, pigment prints, leather, 18 x 32 x 19 inches
Untitled (film still), 2007, pigment print on paper, 18x27 inches
Composer and percussionist Tony Gennaro performs three of Rebeca Bollinger’s bronze instruments, adapted into a hybrid musical score, in Refracted Pathways: Dirt and Copper at the Center for New Music
Postcard from the past, 2024, glass, sand, mirrored plexiglass, 1.25 x 10.25 x 5.5 inches
Untitled (cookies), installation view, 1997, food coloring, ink, cookies, baked goods, cardboard, shrink wrap, push pins, size variable
Untitled, 1996, polaroid, 4.2 x 3.5 inches
Untitled (cookies), 1997
Wireohm (detail), 2024, glass, wire, plywood, 5.25 x 4.25 x 6 inches
Wye Aye (detail), 2024, glass, sand, plexiglass, plywood, LED lights, 20 x 23 x 24 inches
Potato Sunset, 2024, wood from fallen tree, mirrored plexiglass, cast aluminum, digital chromogenic print, 9 x 17.5 x 14 inches
Wireohm (detail), 2024, glass, sand, acrylic, MDF, plywood, 7 × 13.75 × 16 inches
